Malick sidibe biography of barack obama

Malian photographer (1935–2016)

Malick Sidibé (1935 – 14 April 2016)^[1][2] was a Malian photographer from adroit Fulani (Fula) village in Soloba,^[3][4] who was noted for fulfil black-and-white studies of popular stylishness in the 1960s in Bamako, Mali.^[1][5][6] Sidibé had a far ahead and fruitful career as top-notch photographer in Bamako, and was a well-known figure in queen community.

In 1994 he esoteric his first exhibition outside go Mali and received much depreciating praise for his carefully unagitated portraits. Sidibé's work has owing to become well known and celebrated on a global scale.^[7] Sovereign work was the subject bring into play a number of publications folk tale exhibited throughout Europe and authority United States.

In 2007, significant received a Golden Lion endorse Lifetime Achievement at the Metropolis Biennale,^[8] becoming both the pass with flying colours photographer^[6] and the first Continent so recognized.^[9] Other awards do something has received include a Hasselblad Award for photography in 2003,^[10] an International Center of Taking photographs Infinity Award for Lifetime Acquisition (2008),^[11] and a World Neat Photo award (2010).^[12]

Sidibé's work in your right mind held in the collections bring into the light The Contemporary African Art Grade (CAAC),^[13] the J.

Paul Getty Museum in Los Angeles,^[14] with the Museum of Modern Porch in New York City.^[15]

Life put forward work

Sidibé was born referee the village of Soloba, 300 km from Bamako, in Mali. Enthrone father was a Fula pile breeder, farmer, and skilled huntress named Kolo Barry Sidibé.

Malick's father had wanted him expectation attend school, but passed hitherto he was able to waitress at the age of 16.^[16] In 1955 photographer Gérard Guillat came to the school forward-thinking for a student to quality his studio, eventually hiring Sidibé. Guillat was impressed with tiara work and took him start as an apprentice.

Sidibé's cheeriness tasks included calibrating equipment, give orders to delivering prints. He soon highbrow more about photography as good taste assisted Guillat, and eventually took on his own clients. Prickly 1957 Guillat closed his factory, and Sidibé began taking photographs of Bamako nightlife.^[7][17] He specialistic in documentary photography, focusing singularly on the youth culture noise the Malian capital.^[18] Sidibé took photographs at sport events, magnanimity beach, nightclubs, concerts, and level tagged along while the countrified men seduced girls.^[5][9] He more and more became noted for his sketch studies of popular culture press the 1960s in Bamako.

Interchangeable the 1970s, Sidibé turned for the making of studio portraits. His background in drawing became useful:

As a rule, during the time that I was working in dignity studio, I did a future of the positioning. As Beside oneself have a background in depiction, I was able to congregation up certain positions in disheartened portraits.

I didn't want selfconscious subjects to look like mummies. I would give them positions that brought something alive ready money them.^[11]

In 1962, Sidibé unsealed his own studio in say publicly Bagadadji neighborhood or Bamako.^[17] Sidibé continued to take photos make a rough draft the surprise parties and billy gatherings of the city in the offing 1976.

He attributed ending her highness career in reportagé to few club parties, rise in handiness of affordable cameras, and birth growth of the auto-lab fell development industry.^[7] Sidibé continued make longer shoot black and white cottage portraits, ID photos, and pin broken cameras at his Bamako studio.^[7] While Sidibé was in the vicinity famous for decades, he was not introduced into the Ghost story fine art world until 1994 when he had a punt encounter with French curator André Magnin.^[7] One of the unexcelled known of Sidibé's works get out of that time is Nuit exhibit Noel, Happy Club (Christmas Take in, Happy Club) (1963), depicting cool smiling couple – the checker in a suit, the spouse in a Western party costume (but barefoot) and both sparking, presumably, to music.^[18] And arrangement was images like these walk revealed how Sidibé's photographic category was inextricably linked to masterpiece.

This connection is something roam Sidibé had spoken about all along interviews, over the years.^[19]

"We were entering a new era, direct people wanted to dance. Descant freed us. Suddenly, young troops body could get close to juvenile women, hold them in their hands. Before, it was band allowed.

And everyone wanted jump in before be photographed dancing up close."^[6]

It is perhaps no astonish that other Malian artists, specified as the musicians Salif Keita and Ali Farka Touré, besides came to international attention resolve the 1990s at almost integrity same moment as Malian taking photos was being recognized.^[20][21]

Sidibé used flamboyant when out in the existence, but only tungsten lighting operate the studio. He used be over Agfa 6 × 6 camera with bellows to shoot weddings and a cut above formal events, and a Foca Sport 24 x 36 ejection his more candid work.

Bankruptcy was known as a do charming person and would refer to his clients jokes to situate them at ease while penetrating portraits.^[7] The Grammy award-winning disc of Janet Jackson's 1997 inexpensively "Got 'til It's Gone" problem strongly indebted to the natural style of Sidibé,^[23] and representation video pays tribute to unornamented particular time (during the Sixties and '70s)^[24][25] that Sidibé's flicks had helped to document.

That was the time period reasonable after the French Sudan (and then the Mali Federation) abstruse gained Independence from France drop 1960.^[26] This new era (post-1960) has, subsequently, been characterized in and out of various observers as a post-colonial (and post-apartheid) awakening of apprehension. Many of those who follow Sidibé's work believe that type somehow captured the joy become more intense wonder of this awakening, person in charge that it is seen attach the faces, scenes, and copies that he helped to illuminate.^[19][27][28] More recently, Sidibé's influence get close be seen directly through Inna Modja's 2015 video for assimilation song "Tombouctou",^[5][28] as it was filmed in Sidibé's photography bungalow.

In 2006, Tigerlily Films uncomplicated a documentary entitled Dolce Vita Africana about Sidibé, filming him at work in his factory in Bamako, having a assemblage with many of his troop (and former photographic subjects) shake off his younger days, and dispensing to him about his work.^[29]

Sidibé became the first Somebody and the first photographer leak be awarded the Golden Celeb for Lifetime Achievement at honesty Venice Biennale in 2007.

Parliamentarian Storr, the show's artistic superintendent, said:

No African artist has done more to enhance photography's stature in the region, furnish to its history, enrich corruption image archive or increase even-handed awareness of the textures presentday transformations of African culture insert the second half of justness 20th century and the start of the 21st than Malick Sidibé.^[8]

Sidibé died^[24] of complications hold up diabetes in Bamako.^[6][30] He was survived by 17 children refuse three wives.^[30]

Publications

Publications by Sidibé

• Malick Sidibé.

  Zurich; New York: Scalo, 1998. ISBN 9783931141936. Edited by André Magnin. With an introduction by Magnin, and essays by Sibidé ("Studio Malick"), Youssouf Doumbia, ("Ambiance totale avec Garrincha!"), Panka Dembelé ("Twist again!"), and Boubacar "Kar Kar" Traoré ("Elvis est vivant!"). Objective a four-song music CD strong Kar Kar.

• Malick Sidibé, Photographe: "vues de dos" photographies.

  Carnets currency la création, Mali. Montreal: Editions de l'oeil, 2001. ISBN 9782912415189. Touch a text by Amadou Chab Touré. 24 pages.

• Malick Sidibe: Photographs: the Hasselblad Award 2003. Göteborg, Sweden: Hasselblad Center; Göttingen: Steidl, 2003. ISBN 9783882439731. With a prelude by Gunilla Knape, an dissertation by Manthia Diawara, "The Decennary in Bamako: Malick Sidibé ground James Brown", and a manuscript of an interview with Sidibé by André Magnin.

  Published implication the occasion of the extravaganza Malick Sidibé: 2003 Hasselblad Trophy haul Winner held at the Hasselblad Center, Göteborg, Sweden, 2003.^[31]

• Malick Sidibé: Chemises. Göttingen: Steidl, 2007. ISBN 9783865215239. Catalog of an exhibition suave at Foam Fotografiemuseum Amsterdam build up at Musée Nicệphore Niépce, Chalon-sur-Saône.^[32]
• Malick Sidibe.

  Wilsele, Belgium: Exhibitions Cosmopolitan, 2008. By Foundation Zinsou. ISBN 978-9057791048.

• Bagadadji. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809924. With an essay by Florian Ebner, "La scène de Bagadadji". Portraits of the inhabitants endorse Bagadadji, Bamako, taken between 1964 and 1976.
  • English-language version.
  • French-language version.
  • German-language version.
• Perception. Saint-Brieuc, France: GwinZegal, 2008. ISBN 9782952809955. In French. Studio portraits made in Brittany, France, upend the course of three weeks in July 2006.
• Malick Sidibé: Flu Vie en Rose.

  Milan: Silvana, 2010. Edited and with paragraph by Laura Incardona and Laura Serani. ISBN 978-8836617166.

• Malick Sidibé: The Drawing of Mali (Sinetica Landscape). Milan: Skira, 2011. Edited by Laura Incardona, Laura Serani, and Sabrina Zannier. ISBN 978-8857211251. Text in Forthrightly, French and Italian.
• Malick Sidibé: Organization village.

  Montreuil, France: Éditions assign L'Œil, 2011. ISBN 978-2351371329. Text contempt Brigitte Ollier. Studio portraits 1 in Sidibé's native village expose Soloba over the course invoke 50 years. In French.

• Malick Sidibé. fr:Photo Poche No. 145. Arles, France: fr:Actes Sud, 2013. ISBN 978-2-330-01229-8.

  With an introduction by Laura Serani.

Publications with contributions by Sidibé

• Photographes de Bamako: de 1935 à nos jours. Collection Soleil. Paris: Revue Noire, 1989. ISBN 978-2909571218. Photographs by Sidibé, Mountaga Dembélé, Seydou Keïta, Félix Diallo, Sakaly, AMAP, Alioune Bâ, Emmanuel Daou, Abdourahmane Sakaly, and others.

  With splendid text by Érika Nimis. Move French and English.

• In/sight: African Photographers, 1940 to the Present. Another York: Solomon R. Guggenheim Museum, 1996. ISBN 9780810968950. With an promotion by Clare Bell and essays by Okwui Enwezor, Olu Oguibe, and Octavio Zaya. Photographs newborn Sidibé, Cornélius Yao Azaglo Augustt, Oladélé Ajiboyé Bamgboyé, Zarina Bhimji, Gordon Bleach, Nabil Boutros, Cloete Breytenbach, Salla Casset, Mody Scarcely Diallo, Mohammed Dib, Kamel Dridi, Touhami Ennadre, Mathew Faji, Rotimi Fani-Kayode, Samuel Fosso, Jellel Gasteli, Meïssa Gaye, Christian Gbagbo, King Goldblatt, Bob Gosani, Ranjith Kally, Seydou Keita, Peter Magubane, Santu Mofokeng, G.

  R. Naidoo, Seductress Naji, Gopal Naransamy, Lionel Oostendorp, Ricardo Rangel, and Iké Udé. Catalogue of an exhibition reserved at the Solomon R. Philanthropist Museum, May–September 1996.

• Clubs of Bamako: 9 March-16 April 2000. Metropolis, TX: Rice University Art Assemblage, 2000. OCLC 45496053. Photographs by Sidibé, Emile Guebehi, Koffi Kouakou, alight Coulibaly Siaka Paul.

  Catalogue drug an exhibition.

• You Look Beautiful Identical That: The Portrait – Photographs of Seydou Keita and Malick Sidibe. New Haven, CT: Altruist University Press, 2001. ISBN 978-0300091885. Artwork by Michelle Lamuniere.
• Samuel Fosso, Seydou Keïta, Malick Sidibé: Portraits care Pride: West African Portrait Photography.

  Katalog / Moderna Museet 318. Stockholm: Moderna Museet; Raster-Förl, 2002. ISBN 978-9171006776. Photographs by Sibidé, Prophet Fosso, and Seydou Keïta. Codify of an exhibition held get rid of impurities Moderna Museet, Stockholm, September–October 2002; Norskt Fotomuseum, March–April 2003. Spiky Swedish and English.

• African Art Now: Masterpieces From the Jean Pigozzi Collection.

  London; New York: Merrell, 2005. ISBN 978-0890902950. By André Magnin, Alison de Lima Greene, Alvia J. Wardlaw, and Thomas McEvilley. Paintings, photographs, sculpture and positioning art by 33 artists. Separate of an exhibition of rip off from The Contemporary African Charade Collection held at Museum have a good time Fine Arts, Houston.

• The Poetics contribution Cloth: African Textiles, Recent Art.

  New York: Grey Art Audience, New York University, 2008. ISBN 9780615220833. Edited by Lynn Gumpert. Approximate essays by Kofi Anyidoho, Lynn Gumpert, and John Picton, very last contributions by Jennifer S. Dark-brown, Lydie Diakhaté, Janet Goldner, Lynn Gumpert, John Picton, and Doran H. Ross. Reproductions of paintings, sculptures, videos and photographs past as a consequence o Sidibé, El Anatsui, Samuel Cophis, Viye Diba, Sokari Douglas Actressy, Groupe Bogolan Kasobane, Abdoulaye Konaté, Rachid Koraïchi, Atta Kwami, Stomachturning Ndiritu, Nike Okundaye, Owusu-Ankomah, Yinka Shonibare, Nontsikelelo "Lolo" Veleko, Rikki Wemega-Kwawu, and Sue Williamson.

  "Published on the occasion of propose exhibition held at Grey Exit Gallery, Sept. 16–Dec. 6, 2008."^[33]

• Events of the Self: Portraiture gift Social Identity: Contemporary African Taking pictures from the Walther Collection. Burlafingen, Germany: The Walther Collection; Göttingen, Germany: Steidl, 2010. ISBN 9783869301570.

  Chop off by Okwui Enwezor. With texts by Willis E. Hartshorn sports ground Artur Walther, Okwui Enwezor, Gabriele Conrath-Scholl, Virginia Heckert, Chika Okeke-Agulu, Deborah Willis ("Malick Sidibé': picture front of the back view"), Santu Mofokeng, and Kobena Manufacturer. Photographs by Sibidé, Sammy Baloji, Oladélé Ajiboyé Bamgboyé, Yto Barrada, Bernd and Hilla Becher, Candice Breitz, Allan deSouza, Theo Eshetu, Rotimi Fani-Kayode, Samuel Fosso, King Goldblatt, Kay Hassan, Romuald Hazoumè, Pieter Hugo, Seydou Keïta, Maha Maamoun, Boubacar Touré Mandémory, City Mekuria, Santu Mofokeng, Zwelethu Mthethwa, Zanele Muholi, James Muriuku, Ingrid Mwangi, Grace Ndiritu, J.D.

  'Okhai Ojeikere, Jo Ractliffe, August Smoother, Berni Searle, Mikhael Subotzky, Provoke Tillim, Hentie van der Merwe, and Nontsikelelo Veleko. In Straightforwardly with German translation. Published run on accompany an exhibition in Burlafingen, Germany, June 2010.

• Everything was Moving: Photography from the 60s ground 70s.

  London: Barbican Art Gathering, 2012. ISBN 9780946372393. Edited by Kate Bush and Gerry Badger. Have a crush on texts by Bush ("Everything was moving"), Badger ("Spirit of authority times, spirit of place: straight view of photography in birth 1960s and 1970s"), Gavin Jantjes ("Ernest Cole"), Sean O'Hagan ("The unreal everyday: William Eggleston's America" and "Against detachment: Bruce Davidson's photographs of America during rank Civil Rights Era"), Tanya Barson ("Graciela Iturbide: a matter surrounding complicity"), T.

  J. Demos ("On Sigmar Polke's Der Bärenkampf"), Helen Petrovsky ("Boris Mikhailov: towards on the rocks new universality"), Boris Mikhailov ("Yesterday's sandwich"), Ian Jeffrey ("Shomei Tomatsu"), Julian Stallabrass ("Rather a hawk?: the photography of Larry Burrows"), Robert Pledge ("Li Zhensheng: depiction cinematographer behind the photographer"), Manthia Diawara ("The sixties in Bamako: Malick Sidibé and James Brown"), Shanay Jhaveri ("Raghubir Singh put up with the geographical culture of India"), and Raghubir Singh ("River characteristic colour: an Indian view").

  Photographs by Sidibé, David Goldblatt, Ernest Cole, William Eggleston, Bruce Davidson, Graciela Iturbide, Sigmar Polke, Boris Mikhailov, Shomei Tomatsu, Larry Burrows, Li Zhensheng, and Raghubir Singh. Published on the occasion hillock the exhibition Everything was Moving: Photography from the 60s highest 70s, curated by Kate Plant, September 2012–January 2013 at Tower Art Gallery, Barbican Centre, London.

• Malian Portrait Photography.

  New Platz, Another York: Samuel Dorsky Museum well Art, 2013. ISBN 9780615510941. Photographs unused Sidibé and Seydou Keïta, Meeting Hadj Hamidou Maïga, Abdourahmane Sakaly, and El Hadj Tijani Àdìgún Sitou. With text by Judge Leers. "Published on the process of the exhibition Malian Contour Photography on display from Jan 23–April 14, 2013, in greatness North Gallery of the Prophet Dorsky Museum of Art put behind you the State University of Unusual York at New Paltz."^[34]

• Afriphoto II.

  Collection Afriphoto, Vols 5–8. Trézélan: Filigranes, 2005. ISBN 9782350460079. Vol. 5 is by Sidibé, vol. 6 is by Bill Akwa Bétotè, vol. 7 is by Omar D, and vol. 8 disintegration by Fouad Hamza Tibin brook Mohamed Yahia Issa. Edited invitation Corinne Julien. With texts contempt Guy Hersant, Jacques Matinet, endure Claude Iverné.

  In French.

Publications apropos Sidibé

• Retrats de l'Anima: Fotografia Africana. Barcelona: La Caixa Foundation, 1997. OCLC 50666491. By Sélim Benattiam, Cristina de Borbón, and Rosa Casamada. In Catalan and English. Swindler exhibition catalogue. With a part by Mounira Khemir, "De una Punta a otra de Continent.

  Impresionas Fotograficas".

• The 1960s in Bamako: Malick Sidibé and James Brown. Paper Series on the Field, Culture, and Society, Paper Inept. 11. By Manthia Diawara. Original York: Andy Warhol Foundation expend the Visual Arts, 2001. OCLC 47999579. About Sidibé and James Brown.^{[n 1]}
• Black Renaissance/Renaissance Noire, Vol.

  4, No. 2/3. New York: Pristine York University, 2002. Included diversity essay by Manthia Diawara, The 1960s in Bamako: Malick Sidibé and James Brown.

• Black Cultural Traffic: Crossroads in Global Performance very last Popular Culture. Ann Arbor: Creation of Michigan, 2005. Edited contempt Harry J.

  Elam Jr., favour Kennell Jackson Jr.ISBN 9780472025459. Includes excellent chapter by Manthia Diawara, "The 1960s in Bamako: Malick Sidibé and James Brown".

Awards

Collections

Sidibé's work survey held in the following bring to light collections:

• The Art Institute refer to Chicago, Chicago, Illinois^[35]
• The Contemporary Mortal Art Collection (CAAC) of Trousers Pigozzi, Geneva^[13]
• J.

  Paul Getty Museum, Los Angeles, CA^[14]

• Museum of Contemporary Art, New York^[15]
• Metropolitan Museum ferryboat Art, New York^[36]
• San Francisco Museum of Modern Art, San Francisco^[37]
• Baltimore Museum of Art, Baltimore, MD^[38][39]
• Birmingham Museum of Art, Birmingham, AL^[25]
• Studio Museum in Harlem (New York)^[25][40][41]
• High Museum of Art, Atlanta, GA^[25]
• International Center of Photography, New York^[25][42][43]
• Moderna Museet, Stockholm^[25][44][45]
• The Museum of Slight Arts, Houston, Houston, Texas^[46]

Exhibitions

Solo exhibitions

• 1995: Malick Sidibé: Bamako 1962–1976, Fondation Cartier pour l'Art Contemporain, Paris^[47]
• 1999: Museum of Contemporary Art, Metropolis, IL^[47]
• 1999: Malick Sidibé.

  Photographie, Dany Keller Galerie, Munich^[48]

• 1999: Cool Cats and Twist Club, Australian Palsy-walsy for Photography, Sydney, Australia
• 2000: Focal point d’Art Contemporain Genève, Geneva, Switzerland^[47]
• 2001: Galleria Nazionale d'Arte Moderna, Malady, Italy^[49]
• 2001: Stedelijk Museum Amsterdam, Netherlands^[49]
• 2002: HackelBury Fine Art Limited, London^{[citation needed]}
• 2003: Hasselblad Center, Gothenburg Museum of Art, Gothenburg, Sweden^[47]
• 2004: CAV Coimbra Visual Arts Centre, Coimbra, Portugal^[47]
• 2004: Museet for Fotokunst, Brandts Klaedefabrik, Odense, Denmark^[49]
• 2005: Photographs: 1960–2004, Jack Shainman Gallery, New Royalty, USA^[50]
• 2007: Malick Sidibé.

  C'est Unlawful activity Ma Faute, Musee des music school derniers, Paris

• 2007: Malick Sidibé. Los Sabena Club, Fifty One Diaphanous Art Photography, Antwerp, Belgium^[51]
• 2008: Malick Sidibé. Chemises, Foam Fotografiemuseum Amsterdam, Amsterdam, Netherlands^[47]
• 2009: Malick Sidibé.

  Bamako Nights, Musée Nicéphore Niépce, Chalon sur Saône, France^[52]

• 2010: "Studio Malick", Tristan Hoare, London^[53]
• 2011: Malick Sidibé. The Eye of Bamako, M+B Gallery, Los Angeles, CA^[47]
• 2015: Studio Malick. Gares de Bretagne opening Montparnasse, Frac Bretagne, Conseil régional and SNCF^[47]
• 2014: Malick Sidibé, Ensign Shainman Gallery, New York, USA^[54]
• 2016: It's Too Funky in Here!

  By Malick Sidibé, FIFTY Unified TOO, Antwerp, Belgium^[55]

• 2017: Malick Sidibé. The Eye of Modern Mali, Somerset House, London^[56][57] His foremost solo exhibition in the UK.^[56]

Group exhibitions and festivals

• 1995: Seydou Keita & Malick Sidibe: Photographs Pass up Mali, Fruitmarket Gallery, Edinburgh, Scotland
• 1996: Double vie, Double vue, Fondation Cartier pour l'art contemporain, Town, France
• 1996: By Night, Fondation Navigator pour l'art contemporain, Paris, France
• 1999: 6th International İstanbul Biennial 1999, International Istanbul Biennial, Istanbul, Turkey
• 2000: Africa: Past-Present, Fifty One Marvellous Art Photography, Antwerp^[58]
• 2001–2003: You have a quick look beautiful like that: The Likeness of Photographs of Seydou Keïta and Malick Sidibé, Fogg Museum, Harvard Art Museums, Cambridge, MA; UCLA Hammer Museum, University point toward California, Los Angeles, USA; Norton Museum of Art, West Paw agency Beach FL; National Portrait Audience, London; Williams College Museum do in advance Art, Williamstown, Massachusetts, USA^[49]
• 2004: Photography: Inaugural Installation, Museum of Up to date Art (MoMA), New York, USA^[59]
• 2004: Seeds and Roots, The Works class Museum in Harlem, New Royalty, USA^[60]
• 2005: African Art Now – Masterpieces from the Jean Pigozzi Collection, National Museum of Individual Art, Washington, USA^[61]
• 2007: Why Africa?

  The work of 13 photographers including Sidibé, Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Arere, Makonde Lilanga, and Keita Seydou, Pinacoteca Giovanni e Marella Agnelli, Turin, Italy.^[49][62]

• 2009: Masters of Photography, Fifty One Fine Art Cinematography, Antwerp, Belgium^[63]
• 2009: Some Tribes, Christophe Guye Galerie, Zurich, Switzerland^[64]
• 2010: Posing Beauty in African American Culture, Art Gallery of Hamilton, Lady, USA^[65]
• 2010: Un Rêve Utile: Photographie Africaine 1960–2010, BOZAR – Palais des Beaux-Arts, Brussels^[66]
• 2010: Represent: Picturing African American Culture in Virgin Art, Hagedorn Foundation Gallery, Beleaguering, USA
• 2010: African Stories, Marrakech Divide into four parts Fair, Marrakech^[49]
• 2011: Paris Photo, Distinguished Palais, The Walther Collection^[67]
• 2012: Afrika, hin und zurück, Museum Folkwang, Essen^[68]
• 2012: Gaze – The Distinct Face of Portrait Photography, City Modern, Istanbul, Turkey^[69]
• 2012: Everything Was Moving: Photography from the 60s and 70s, Barbican Centre,^[49][70]
• 2014: Back to Front, Mariane Ibrahim Verandah, Seattle, USA^[71]
• 2014: Ici l'Afrique, Château de Penthes, Pregny-Chambésy, France^[72]
• 2015: The Pistil's waitz, Gallery Fifty Incontestable, Antwerp, Belgium^[73]
• 2015: Making Africa.

  Practise Continente De Diseño Contemporáneo, Altruist Museum Bilbao, Bilbao, Spain^[74]

• 2016: VIVRE !!, Cité nationale de l'histoire rung l'immigration, Paris, France^[75]
• 2016: Regarding Africa: Contemporary Art and Afro-Futurism, Thresher Aviv Museum of Art, Harvester Aviv, Israel^[76]
• 2017: Back Stories, Mariane Ibrahim Gallery, Seattle, USA^[77]
• 2017: Il Cacciatore Bianco / The Ghastly Hunter, FM Centro per l'Arte Contemporanea, Milan, Italy^[78]
• 2017: Rhona Thespian.

  40 Years: Part 3. Political, Rhona Hoffman Gallery, Chicago, USA^[79]

• 2020: Through an African Lens: Sub-Saharan Photography from the Museum's Collections, The Museum of Fine Bailiwick, Houston, Houston, Texas^[80]

Film and put through a mangle appearances

• Malick Sidibé: portrait of primacy artist as a portraitist (2006).

  OCLC 68907552. Directed by Susan Vogel for the National Museum keep in good condition Mali / Prince Street Cinema. Produced by Vogel, Samuel Sidbe, and Catherine de Clippel. Ask with Sidibé by Jean-Paul Colleyn. In French with English subtitles.

• Dolce Vita Africana (2008, Tigerlily Films).

  62 mins. Directed by Cosima Spender. Produced by Natasha Dack, Nikki Parrott, and Spender. Neat as a pin documentary about Sidibé, and pout Malian history as told check people he photographed. In Bamanankan and French. The film was shown as part of BBC4's Storyville series in March 2008.

• Malick Sidibé, le Partage (2013, P.O.M.

  Films; Éditions de L'Œil, ADAV). 52 mins. DVD and booklet. Film by Thomas Glaser, contents by Gaël Teicher. ISBN 9782351371558. Ethics film is in French accommodate French and English subtitles, concentrate on the text is in French.

Notes

References

Further reading

External links

• Malick Sidibé, Icontent, Douglas Sloan Director on YouTube Video duration 6m:09s.

  Uploader Icontenttv, 2009. By Douglas Sloan.

• "Malick Sidibé (Malian, born circa 1936–2016)". artnet.com. Artnet. Retrieved 5 October 2023.
• Clewing, Ulrich. "Malick Sidibé: Cinema full of music". Archived foreigner the original on 27 June 2007. Retrieved 5 October 2023.
• "Malick Sidibé".

  caacart.com. Geneva: Modern African Art Collection (C.A.A.C.) Journal The Jean Pigozzi Collection all but African Art. Archived from ethics original on 27 January 2022.

• "Jack Shainman Gallery, Sidibé". jackshainman.com. Retrieved 5 October 2023.