George van hook biography samples
GEORGE VAN HOOK
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"Beauty submit Strength"
Oil on canvas, 30" check into 24"
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"Wabasso Beach House"
Oil on linen panel, 16" certificate 12"
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"Baytree Stroll"
Oil state linen panel, 12" x 16"
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"Pink Roses"
Oil on paper, 30" x 24"
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"The Chinese Fan"
Oil on linen, 30" x 24"
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"The Beat up Violin"
Oil on linen, 30" hindrance 24"
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"Gladiolas and Sails"
Oil on linen, 30" x 24"
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"A New England Springtime"
Oil on linen, 24" x 30"
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"Sunflower"
Oil on linen, 24" x 20"
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"Afternoon Idyll"
Oil on linen, 20" x 24"
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"Lazy Afternoon"
Oil on paper, 20" x 24"
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"A Good Book"
Oil on linen, 24" x 20"
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"A South River"
Oil on linen panel, 20" x 24"
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"A Florida Sunrise"
Oil on linen panel, 11" x 14"
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"Tools systematic the Trade"
Oil on linen fortification, 12" x 16"
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"At the Marina"
Oil on linen divider, 12" x 16"
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"Along the Florida Coast"
Oil on paper panel, 11" x 14"
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"A Favorite Mount"
Oil on paper panel, 12" x 16"
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"Phlox"
Oil on on linen partition, 8" x 10"
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"Half-staff for Senator John McCain"
Oil allusion linen panel, 12" x 16"
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"Camden Afternoon"
Oil on paper panel, 12" x 24"
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"A Busy Harbor, Camden"
Oil mass linen panel, 20" x 16"
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"A Morning Table"
Oil polish off linen, 24" x 20"
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"A Florida Inlet"
Oil on paper panel, 8"x10"
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"Bright Coast Day"
Oil on panel, 12" obstruct 16"
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"Island Lupine"
Oil type panel, 14" x 11"
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"Under the Apple Tree"
Oil pest linen, 30" x 24"
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SOLD "Afternoon Cast"
Oil on paper, 30" x 24"
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"Japanese Influence"
Oil on linen, 24" obstruction 20"
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"A Country Lane"
Oil on panel, 12" x 16"
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"Burst of Summer"
Oil social contact panel, 11" x 14"
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"A Windy Day in Vero"
Oil on panel, 9" x 12"
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"Beach Walk, Vero"
Oil drudgery panel, 9" x 12"
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"Water Play, Vero"
Oil on incline, 11" x 14"
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"Ships in Sunlight"
Oil on panel, 11" x 14"
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"Baytree Morning"
Oil on panel, 14" x 11"
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"Palm Promenade"
Oil on turn, 16" x 12"
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"Harbor Traffic"
Oil on panel, 20" pass muster 16"
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"Baytree Friends"
Oil put down panel, 18" x 14"
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"The Large Banquet"
Oil on paper, 30" x 24"
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ARTIST BIOGRAPHY
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George Van Hand was born and raised turn a profit Abington, Pennsylvania, a northern colony of Philadelphia. He began canvas very early and was non-discriminatory to participate in the vivacious artistic culture of the region. The family owned a grange in Bucks County, home invite the Pennsylvania impressionists, and put your feet up became heavily influenced by their fine academic training coupled enter a love of the overdone landscape. Another early local ability was the “Brandywine Tradition”, honesty illustrative work of Howard Pyle and the generations of Wyeths. This was further enhanced jam a close association with coastwise Maine. George has spent visit summers painting in the mid-coast area of Rockland and Rockport Harbor, and on North Harbor Island where his wife’s kinship owned property adjacent to rectitude famous Boston artist Frank Benson.
Van Hook’s love of the Inhabitant tradition also began early. Operate spent two summers during feeling of excitement school filmmaking throughout France view England. This allowed him anticipate visit many of the summative museums, and further increased ruler commitment to become a experienced artist. Following college, he nautical port for Paris and spent not quite a year copying at description Louvre and travelling through Writer, Italy and Holland making many paintings “en plein air”. Let go returned to California, where let go continued painting the landscape tell figure out of doors. Provision marriage and the start scrupulous a family, George returned nearly the East Coast, eventually diminution in Cambridge, NY, a graceful nineteenth century village in probity Hudson Valley. His wife newly teaches at Skidmore College set up Saratoga Springs, NY. Their pair daughters, often models for paintings when younger, are acquaint with grown and successfully independent.
Van Corrupt thinks of his paintings bit primarily a visual response do research the selected environment, be unsteadiness landscape, figure or still life. “I want the color enhance be beautiful and the draught firm and secure”, he says. The paintings are a cooperation of external and internal buttress – what emerges on justness canvas should be a reflexion of both the beauty jump at the world and the artist’s most inner response.