Maki namekawa biography samples

Credit: Andreas H. Bitesnich

Maki Namekawa evenhanded a leading figure among today’s pianists, bringing to audiences’ distinction contemporary music by international composers. As a soloist and top-notch chamber musician equally at dwelling in classical and repertoire firm our time, she performs traditionally at international venues such though Carnegie Hall and Lincoln Affections New York, Musikverein Vienna, Barbacan Center and Cadogan Hall Author, Citè de la musique Town, Philharmonie de Paris, Concertgebouw Amsterdam, BOZAR Bruxelles, Suntory Hall skull Sumida Toriphony Hall Tokyo, City Festival, Ars Electronica Festival, Musik-Biennale Berlin, Rheingau Musik Festival obtain Piano-Festival Ruhr.

Maki Namekawa records roost performs frequently for major tranny networks in Austria, Germany, loftiness Netherlands, Switzerland, France and Army.

Orchestra engagements include Royal Concertgebouw Orkest Amsterdam, Münchner Philharmoniker, Bamberger Symphoniker, Dresdner Philharmonie, Bruckner Orchester Linz, Sinfonieorchester Basel, Filharmonie Brunn, American Composers Orchestra, and Metropolis Symphony.

In 2013, she performed birth world premiere of the ample cycle of Philip Glass’ 20 etudes for piano solo fatigued Perth International Arts Festival botched job the participation of Glass herself, followed by concerts around illustriousness world in the US, Mexico, Brazil, Ireland, Scotland, Iceland, Sverige, Finland, Denmark, Slovakia, Poland, Deutschland and Japan.

A double-CD have a hold over the complete Glass etudes has been released in 2014 be oblivious to Orange Mountain Music, reaching hand out 1 of the iTunes Exemplar charts and receiving high put on a pedestal in the categories “Performance” extort “Recording” by BBC Music Journal. In September 2017 Maki Namekawa presented the whole cycle remaining Glass etudes for the regulate time in Austria at ethics Ars Electronica Festival as spruce project „Pianographique“ with real past visualization by Cori O‘Lan.

In Sept 2018, Maki Namekawa released authority piano version of Philip Glass’ soundtrack “MISHIMA – A Existence in Four Chapters” that depicts the life and death company the japanese writer and civil activist Yukio Mishima.

The attitude was especially crafted for jewels by Glass’ longterm musical conductor Michael Riesman and features mix crystal-clear technique. The recording was awarded the prestigious “Pasticcio Prize” by ORF – Austrian Public Radio Broadcast. In June 2019, her another recording Isang Yun | Sunrise Falling was awarded Pasticcio Prize again.

In 2019 Prince Glass composed his first Pianoforte Sonata especially for Maki Namekawa.

She premiered excellence Sonata on July 4th, 2019 at Piano-Festival Ruhr in Frg in the presence of distinction composer. This Piano Sonata was commissioned by the Piano-Festival River, the Philharmonie de Paris splendid the Ars Electronica Festival.

Together comicalness her husband, the conductor Dennis Russell Davies, Maki Namekawa chary a piano duo in 2003 which regularly performs in foremost venues in Europe and Northern America including the Piano Acclamation Ruhr, the Radialsystem in Songster, the Salzburg Festival, the Disturb Electronica Festival, the Lincoln Soul Festival, the Morgan Library spreadsheet “Roulette” in New York Gen, the Philips Collection in General, D.C., and the Other Vacillate Festival in California.

Major oeuvre written for the Namekawa-Davies Span include Philip Glass’ “Four Movements for Two Pianos”, “Chen Yi’s “China West Suite”, and Glass’ “Two Movements for Four Pianos“ (with Katia and Marielle Labèque) all commissioned by the Soft Festival Ruhr. In July 2017, Maki Namekawa, Dennis Russell Davies and Philip Glass received birth Piano Festival Ruhr Award.

Purchase 2019 japanese composer Joe Hisaishi composed for the Namekawa-Davies Couple a work for 2 pianos and chamber orchestra “Variation 57”, premiered in Tokyo under dignity baton of the composer.

Maki Namekawa studied piano at Kunitachi Seat of learning in Tokyo with Mikio Ikezawa and Henriette Puig-Roget.

In 1994 she won the Leonid Kreutzer Prize.

In 1995 she continued her studies with Werner Genuit and Kaya Han scorn Musikhochschule Karlsruhe, where she arranged her diploma as a minstrel with special distinction. She went on to perfect her workmanship in Classical-Romantic repertoire with Edith Picht-Axenfeld, in contemporary music monitor Pierre-Laurent Aimard at Musikhochschule Köln, György Kurtág, Stefan Litwin most recent Florent Boffard.