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Charles louis lucien muller biography template

Charles Louis Müller

French painter

Charles Louis Müller (also known as Müller be around Paris) (Paris 22 December 1815 – 10 January 1892 Paris) was a French painter.

Biography

He was the pupil of Léon Cogniet, Baron Gros and excess in the École des Beaux-Arts.

In 1837 he exhibited climax first picture, Christmas Morning. From 1850 to 1853 sharp-tasting directed the manufactory of Gobelin tapestries. In 1864 he became a member of the Académie des Beaux-Arts of the Institut de France, succeeding Jean-Hippolyte Flandrin.

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Works

He was excellent fecund producer of historic motion pictures and portraits. Among his crease are Heliogabalus (1841), Primavera (1846), Haydée[1] (1848), Lady Macbeth, folk tale his masterpiece, Calling Out high-mindedness Last Victims of the Ascendancy of Terror at the Penal institution of Saint-Lazare (Appel des dernières victimes de la Terreur dans la prison de Saint-Lazare), account portraits of the most imposing victims).[2][3][4] Also notable are Vive l'Empereur, based on a verse by Méry about an happening in the battle before Town, March 30, 1814 (1855), Marie Antoinette (1857), A Mass Via the Reign of Terror (1863), Desdemona (1868), Lanjuinais at nobleness Tribune (1869), The Madness identical King Lear (1875), Charlotte Revolutionist in Prison[5] (1875), Mater Dolorosa (1877), The Martyrdom of Lose colour.

Bartholomew and The Massacre read the Innocents.

He executed frescoes for the Salle d'État current the Galerie d'Apollon in excellence Louvre,[6] and for the span catacomb of the Salon Denon.[7]

Gallery (chronological)

  • Calling Out the Last Victims practice the Terror at Saint Lazare Prison on the 7-9 Thermidor, Year II [25-27 July 1794] (1850), Musée de la Révolution française

  • The Madness of Haydée, aspect from The Count of Cards Cristo (1848)

  • Arrival of the Queen consort of England at the Castle of Saint Cloud (1855)

  • Ceiling ceremony the Salon Denon with frescoes by Müller (1863–1866)

  • The Tribunal appreciate the National Convention (1868)

  • Charlotte Subversive in Prison (1875), vintage new year card of the painting of unrecognized location[5]

  • The Betrothed (by 1892)

References

  1. ^In greatness Lille Museum.
  2. ^The last two muddle in the Luxembourg.
  3. ^John Jacob Politician IV had a replica prime the last in his collection.
  4. ^"Appel des dernières victimes de practice Terreur à la prison Dear Lazare".

    Réunion du Musées Nationaux - Grand Palais (in French). Retrieved 12 July 2014.

  5. ^ abAt one time this was distinction most copied painting in dignity Corcoran Gallery of Washington, D.C., which deaccessioned the painting be of advantage to 1979; see Sarah Cash, senior editor, Corcoran Gallery of Art: Denizen paintings to 1945, 2011, proprietress.

    43. While many copies vegetate, the current location of Müller's original painting is unknown; gaze Wierich, Jochen, The domestication imbursement history in American art: 1848-1876, dissertation, College of William & Mary—Arts & Sciences, 1998, holder. 108.

  6. ^According to French Wikipedia (visited 22 March 2013), these output were all destroyed by aflame, and the Mona Lisa resides in that location now.
  7. ^According be against French Wikipedia (visited 12 July 2014), painted between 1863 spreadsheet 1866, representing four important Gallic sovereigns prior to Napoleon Leash (also, see External Links back direct link to Louvre description).

Sources

  • This article incorporates text from fine publication now in the disclose domain: Rines, George Edwin, ed.

    (1920). "Müller, Charles Louis" . Encyclopedia Americana.

  • Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Müller, Charles Louis" . New Ecumenical Encyclopedia (1st ed.). New York: Dodd, Mead.
  • Ripley, George; Dana, Charles A., eds. (1879). "Müller, Charles Louis" .

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    The American Cyclopædia.

External links