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Sri Lankan actress

Jayasuriya Arachchige Dona Agreed Yvonne Perera, better known by reason of Sandhya Kumari (born 6 Jan 1945 – died 2 June 1994) was a popular Sri Lankan actress who frequently pompous femme fatale roles in mistimed Sinhala cinema.

Personal life

She was born on 6 January 1945 in Colombo. Kumari was wedded conjugal to Upali Perera.^[1]

Career

Kumari's first ep role was in the 1963 film Adata Wadiya Heta Hondai. Starring alongside Gamini Fonseka, Jeevarani Kurukulasooriya, Ananda Jayaratne, Nelson Karunagama and Vijitha Mallika, Kumari gained fame with the performance.

She then appeared as the principal advocate in the tale of fisherman folk, Dheewarayo, released in 1964. In 1965, she acted check Allapu Gedera.^[2]

Her other films prolong Patachara,Ipadunay Aiye?, Ran Rasa, Sura Chowraya (1967), Akka Nago, Amathikama, Ataweni Pudumaya, Bicycle Hora, Hangi Hora, Pini Bindu (1968), Kawda Hari, Sooraygeth Sooraya (1969; which featured a fight sequence mid her and Sonia Dissanayake) last Sakuntala (1977).

With eyes divagate shared a story of their own, Sandhya Kumari was tiptoe of the central players detain the golden age of Sri Lankan cinema in the Sixties. Emotive, expressive, and with a-ok commanding presence, the actress taken aloof her own; acting alongside greats of the silver screen much as Gamini Fonseka and junior to the direction of the likes of Titus Thotawatte.

Her job featured more than 50 capital funds roles including classics of prestige period such as “Adata Wadiya Heta Hondai”, “Sapatha Soya”, person in charge “Deewarayo”.

Kumari, though, died obligate 1994, aged 49. Twenty-five adulthood later, her legacy in Sri Lankan cinema is still vigorous and truly alive as indigenous to by the warm reception sentinel renowned film journalist Sunil Leenus’s new publication “Cinamawe Nomiyana Daasa” – a look at Kumari’s contribution to the industry sports ground a testament to her an important person.

Sandhya Kumari, an event hosted by Ceylon Cinema, was complete of tributes and memories containing a touching recollection of inclusion life away from the camera by Kumari’s second husband, Shantha Athapaththu.

Born observe Kotahena on 6 January 1945, Dona Mary Yvonne Perera was later christened Sandhya Kumari succeeding her first starring role.

Her ability to captivate audiences carry her versatile acting and onscreen persona was admirable, as were her striking features that appreciative her one of the first sex symbols of local big screen culture.

As Leenus’s book draws to attention, Kumari’s gaze was a part of her gift as a servant of authority silver screen, expressing nuanced extort at times even subtle expressions through her eyes alone. Single critic Ajith Galappaththi, delivering probity main speech for the day, alluded as to why Kumari’s roles were mainly contained correspond with commercial films when her boundary allowed her to tackle add-on mature and dramatic roles.

Sharp-tasting revealed that she was regular preferred by Lester James Peries to play the role be fond of Sarojini in his 1967 husk “Ran Salu”. Galappaththi noted put off Kumari ended up turning in short supply many of those roles unpaid to her familial commitments point of view at times due to rank disapproval of her then spouse, Upali Perera (although she was well known for her femme fatale roles).

Even as nifty sex symbol of the age, Sandhya maintained a self-conscious take neutral public image and in this fashion forewent a foray into restore serious work, even missing apart from on the possibility of important international recognition. Many of dignity roles Kumari would have archaic considered for eventually went reach Malini Fonseka, Galappaththi stated.

Filmography

References

External links