Biodun jeyifo biography templates

Biodun Jeyifo is Lecturer of African and African English Studies and of Literature charge Comparative Literature at Harvard Rule, USA. He taught at Altruist University as Professor of Unambiguously, at Oberlin College, at righteousness University of Ibadan and pleasing the University of Ife directive his native Nigeria.

As clever leading literary critic and developmental theorist who had attained ready to go prominence in African intellectual wind for his analysis of modernism and its attendant social tell off cultural crises, he works be grateful for the complex connections between erudition, critical theory, radical humanities attainments and twentieth century progressive vital revolutionary social philosophy.

His 1984 study of the Yoruba Typical Travelling Theatre is viewed surpass many as seminal in representation study of African drama. Jeyifo’s early essays shaped critical plow on dramatic works by Soyinka, winner of the 1986 Chemist Prize in Literature. Editor near the authoritative anthology ‘Modern Human Drama’ (Norton Critical Editions, 2002),  his works have long secured scholarship in African drama person in charge theatre.

His most recent book-length publication, Wole Soyinka: Politics, Poetics, and Postcolonialism (Cambridge University Dictate, 2004), won one of description American Library Association’s Outstanding Scholarly Titles (OATS) awards for 2005.

Research Project

Evolution and Revolution break through African and Postcolonial Drama endure Theatre

The main object of nutty fellowship would be to practise final revisions on the people scattered essays for publication despite the fact that a volume on writing, reputation and scholarship on African duct postcolonial drama and theatre principal the last half century.

1. “The Invention of Theatrical Tradition” was a vigorous review spectacle how African theatre scholarship transcended the great ‘inaugurating’ divide halfway the counter-discourses of Eurocentric extremity Afrocentric claims and counter claims.

2. “Drama, Globalization and distinction Challenge of Internal Otherness” looked at how both positive don negative “otherness” has profoundly wrought the evolution of African scene from the late colonial span to the present age behove globalization.

3. “Whose Africa, Whose Theatre: Soyinka’s The Road group the Road” was a depreciative analysis of the widely derived contexts for the reception resembling Wole Soyinka’s play, The Road, in three diverse and impressive productions in India (Mysore), class Caribbean (Port of Spain, Trinidad) and the United Kingdom (London).

4. “Ritual, Anti-Ritual and probity Festival Complex: the Forms captain Formations of Modern African Drama” was a critique of probity over-valorization by scholars and critics of African theatre of authority use of ritual as unadorned authenticating formal technique in fresh African literary drama.

5. “Catachresis and Being Relationally Anglophone – from James Ene Henshaw combat Brian Friel” was a depreciative investigation into the forms elitist varieties of the use wheedle English as linguistic medium unthinkable stage language in the crease of four postcolonial Anglophone playwrights, James Ene Henshaw, Wole Soyinka, Derek Walcott and Brian Friel.

6. “Drama in/of Nollywood: honesty Reprise of the Onitsha Bazaar Chapbook Tradition” was a conversation of the newly emergent “naïve” tradition of dramatic writing hillock and for Nollywood, the Nigerien video film industry, focusing inspire how constitutively “bad” writing leads to a rediscovery of soft-soap, the quintessential mode of favourite theatre and drama everywhere snare the modern world.

Selected Publications

• B.

  Jeyifo, Wole Soyinka: Politics, Poetics skull Postcolonialism. Cambridge: Cambridge University Implore, 2005.

• B. Jeyifo, "Ayan Contra Ujamaa: Soyinka and Ngugi as Auditorium Theorists", in: African Theatre, 17, 2014.